Evaluation

The “Unfold the Untold” Project

Evaluation pdf opens in new tab

Freeman, N., Snell, L. & Grimwood, T. (2025) An evaluation of Unfold the Untold. Commissioned by Healing Arts Cumbria. 


Executive Summary

Designed and led by the Healing Art’s artists, the Unfold the Untold project aimed to enhance wellbeing by bringing together patients and staff at Cumberland Infirmary as well as children from a local primary school, through shared storytelling and creativity. The project delivered weekly sessions of “creative conversations” woven in with puppetry, poetry and crafts, and culminated with tea parties, handmade board games, a book that captured participants’ stories called The Major and the Puzzle of the Broken Universe, and shadow puppetry performances of the book.

During the creative conversations, practitioners would respond to topics that interested the patients through a range of media such as poetry, drawing and craft. For example, a poem or a drawing would be created in response to a patient’s story about a loved one or a pet and would then be given to the patient as a keepsake. Conversations did not lead to any creative output when the practitioners sensed it wasn’t appropriate. Conversations were also initiated by sending messages between patients and school children on heart-shaped cards that were wound with wool. Others were about writing “recipes for a good life”, or they naturally progressed by the presence of a puppet called “The Major”.

Findings

Findings are grouped into two sections to respond to the aims of the Unfold the Untold service evaluation, which were to understand how activities may work:
1) to contribute to improved patient wellbeing
2) with ward staff and within the ward environment

Unfold the Untold Activities

An overarching perception that all of the creative practitioners had about their work with the patients was they were facilitating “creative conversations”. Any participation in creative activities or production of creative outputs were perceived to be a means by which the interaction itself could be established, enhanced, or continued. To better understand how the creative practitioners’ approaches to these creative conversations may contribute to improved outcomes for patients, the interview data have been explored and summarised through the three key elements of the World Health Organization’s (2022, p.3) Guide to evaluating behaviourally and culturally informed health interventions in complex settings, which are: wellbeing, trust, and social cohesion.

Each of the three key elements are outlined separately in order to explain what is at work, however in practice the creative practitioners apply these skills seamlessly throughout their interactions with patients.

Working Within the Wards

Ward staff reported the most valuable aspect of the project was that the creative conversations provided an “access point” where the patients were more likely to talk about their lives and experiences. Staff reported that they were able to better understand and connect with their patients following the sessions, whether they were present or not.

Holly Curruthers – Elm C Ward Manager

Freya Laverick – Healthcare Assistant

Addressing Challenges

The two greatest challenges reported by ward staff were: reservations about anything creative and understanding the benefits. As part of the project, ward staff were offered dedicated workshops so that they could experience working with creative practitioners for themselves, as well as focusing on their own wellbeing and connecting as a team.

Meena Sarangapani – Admiral Nurse Elm C

Freya Laverick – Healthcare Assistant

Holly Curruthers – Elm C Ward Manager

Discussion and Recommendations

While the benefits of arts in health activities, such as those provided by the Unfold the Untold project, have been evidenced to make a valuable contribution to improved outcomes for patients, this evaluation demonstrates that they can only be realised through good working relationships with ward staff. This includes:

  • developing trust
  • demonstrating respect for the day-to-day ward environment
  • working collaboratively to understand the needs of individual patients
  • maintaining continuous dialogue as to how activities are provided on the wards
  • responding to staff wellbeing needs

Buy-in from ward staff was reported to take a few months at least, and this is to be acknowledged and respected. Offering one off sessions on the ward and inviting ward staff to join dedicated staff wellbeing sessions have been successful to date in supporting engagement and understanding of the Healing Arts activities.

Future staff wellbeing sessions should be developed in line with feedback from staff surveys and direct discussions with ward staff. Promotion of Healing Arts activities throughout the Trust’s hospitals should also include opportunities for all staff to feedback with comments and suggestions for future activities.

References

World Health Organization. (2022). Guide to evaluating behaviourally and culturally informed health interventions in complex settings (No. WHO/EURO: 2022-6045-45810-65956). World Health Organization. Regional Office for Europe.